I just got done watching The Ox-Bow Incident (yes, more dissertation viewing). Did the film really chalk lynch mentality down to repressed/latent homosexuality?
Filmically, it was mix of half 30s classicism and half falt, floodlit B&W expressionism. I’m willing to entertain counterexamples, but I felt as if I were watching the first (unbeknownst) film noir.
No comments have been added to this post yet.